Metamorphoses: (Penguin Classics Deluxe Edition) -- Ovide

<b>Winner of the 2023 HAROLD MORTON LANDON TRANSLATION AWARD <p/>The first female translator of the epic into English in over sixty years, Stephanie McCarter addresses accuracy in translation and its representation of women, gendered dynamics of power, and sexual violence in Ovid's classic.</b> <p/><b>A Penguin Classic</b> <p/> Ovid's <i>Metamorphoses</i> is an epic poem, but one that upturns almost every convention. There is no main hero, no central conflict, and no sustained objective. What it is <i>about</i> (power, defiance, art, love, abuse, grief, rape, war, beauty, and so on) is as changeable as the beings that inhabit its pages. The sustained thread is power and how it transforms us, both those of us who have it and those of us who do not. For those who are brutalized and traumatized, transformation is often the outward manifestation of their trauma. A beautiful virgin is caught in the gaze of someone more powerful who rapes or tries to rape them, and they ultimately are turned into a tree or a lake or a stone or a bird. The victim's objectification is clear: They are first a visual object, then a sexual object, and finally simply an object. Around 50 of the epic's tales involve rape or attempted rape of women. Past translations have obscured or mitigated Ovid's language so that rape appears to be consensual sex. Through her translation, McCarter considers the responsibility of handling sexual and social dynamics. <p/>Then why continue to read Ovid? McCarter proposes