Friends' penultimate season could well be called "The One with All the Romantic Arcs." Phoebe meets Mike (Paul Rudd virtually joining the ensemble). Rachel attempts to "move on" from Ross with a rival co-worker (guest star Dermot Mulroney). Ross meets Charley (Aisha Tyler, welcome colorblind casting), a paleontologist with an intimidating roster of Nobel Prize-winners in her dating history (so, of course, she hooks up with Joey). Other storylines, including Chandler's transfer to Tulsa and Rachel's sudden lust for Joey, are not as compelling as previous seasons', and an indication that inspiration is flagging. But while one is hard-pressed to add any of these episodes to the Friends pantheon, what redeems the season are the grace notes: Phoebe channeling a New England WASP to impress Mike's parents ("The One with Ross's Inappropriate Song") or playing naughty girl to Ross's "daddy" ("The One with the Lottery"); Joey's confession that he doesn't get it when people punctuate the air with finger quotes ("The One Where Emma Cries"); and Chandler's discomfort (and ultimate revenge) as an audience member at a ranting feminist's one-woman show ("The One with the Soap Opera Party").